국립중앙박물관 NATIONAL MUSEUM OF KOREA

Past Special
Princely Treasures: European Masterpieces 1600-1800 from the Victoria and Albert Museum
  • Location

    Special Exhibition Gallery

  • Date

    May-03-2011 ~ Aug-28-2011

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This exhibition which is originally organized by the Victoria and Albert Museum in London focuses on the luxurious treasures enjoyed by the brilliant monarchs in Europe during the 17th and 18th centuries. These works include splendorous objects connected to the lives of monarchs and members of the aristocracy, who led European history in those periods. They provided splendid decoration for their attire, food, and dwellings, while at the same time representing the patrons’ identity in a powerful form of image-making.

 

For this exhibition features 101 selected objects carefully selected for display from the Victoria and Albert Museum. These were items commissioned or used by members of the powerful and wealthy classes in the Europe of the day, a number of them crafted by noted artisans. The 17th and 18th century objects in the Victoria and Albert Museum’s collection span a wide range of genres, including painting, sculpture, ceramics, glass, metals, furniture , and textiles, as well as garments and accessories, prints, and drawings. Their origins span all corners of the European continent, from Sweden in the north to Spain in the south and from Portugal in the west to Russia in the east. This period marked a time when the countries of Europe were expanding their trade efforts to the global scale and building colonies overseas, expensive and rare materials imported from around the world were frequently used in the making of the items on display in this exhibition.

 

The exhibition presents a series of themes for the important aspects of courtly life in Europe. It begins with a section on power and patronage in Europe between 1600 and 1800. The following sections focus on four different aspects of courtly life: the importance of war, the role of religion, the glorious arts of the domestic interior, and the magnificence of personal adornment.

 

As there have been so few opportunities over the years to present the decorative art of the Baroque and Rococo period in depth or to explore the consumers of artwork in detail, this exhibition should provide a fascinating occasion for visitors to broaden the scope of their understanding of this era's art.

 

 

 

Exhibits

 

In section 1 Princely Patronage, presents key figures from the princely courts who were the great patrons of the arts in Europe between 1600 and 1800. The objects in this section include items commissioned by monarchs and their official mistresses, as well as portrayals of these royal figures. By commissioning and exchanging luxurious gifts, such individuals had the effect of presenting aesthetic standards for the day and propagating design ideas.

 

©Victoria and Albert Museum / V&A Images

FAN LEAF (EXTENDED)

France; possibly about 1673-4

 

©Victoria and Albert Museum / V&A Images

JEANNE-ANTOINETTE POISSON, MARQUISE DE POMPADOUR (1721-64)

François Boucher (1703–70), France; 1758

 

 

©Victoria and Albert Museum / V&A Images

SNUFFBOX FROM THE PRUSSIAN ROYAL COLLECTIONS

Berlin; about 1765

 

 

The second section Power and Glory explores how military power was celebrated and representations of war were used to decorate objects commissioned for courtly use, from armour and weapons to tapestries and paintings.

 

©Victoria and Albert Museum / V&A Images

THE MARCH FROM A SECOND VERSION OF A SERIES

KNOWN AS THE ART OF WAR
Possibly designed by Philipp De Hondt(1683–1741); made by Judocus de Vos (1661–1734), Brussels; 1718–19

 

©Victoria and Albert Museum / V&A Images

SNUFFBOX

Berlin (probably); about 1757-8

 

 

©Victoria and Albert Museum / V&A Images

PAIR OF FLINTLOCK PISTOLS

Jean-Baptiste La Roche (d. 1769), Paris; about 1760

 

 

The third section Religious Splendour reveals the nature of objects made for worship, commissioned by secular or ecclesiastical patrons for public or private devotional use. By exhibiting works associated not only with the Catholicism that dominated everyday life and palace manners during this time but also with the religions of Protestantism and Judaism, this section offers an in-depth view of the ways in which the different religious beliefs and historical circumstances were reflected in decorative art.

 

©Victoria and Albert Museum / V&A Images

MONSTRANCE

Johannes Zeckel (d. 1728), Augsburg; 1705

 

©Victoria and Albert Museum / V&A Images

COMMEMORATIVE BEAKER

Maker’s mark of Sigmund Dockler(b. 1667, active 1696/7–1753),

Nuremberg; 1717

 

 

©Victoria and Albert Museum / V&A Images

PAROCHET OR TORAH ARK CURTAIN

Probably Venice; 1676

 

 

The fourth section Display in the Interior presents furniture, textiles and ceramics made for use in palaces and noble residences, either for decorative or social purposes. Many of the items in this section were created for purposes of ornamentation and social interaction, as ways of showing off or deriving personal pleasure.

 

©Victoria and Albert Museum / V&A Images

THREE FROM A SET OF WALL-PANELS, PAINTED WITH SCENES

FROM THE STORY OF ACHILLES

Charles-Louis Clérisseau (1721–1820) and Étienne de Lavallée-Poussin

(1735-1802), Paris; about 1777

 

©Victoria and Albert Museum / V&A Images

READING, WRITING AND MUSIC STAND

Martin Carlin (d. 1785), Jean-Jacques Pafrat (d. 1793), Paris; 1777–85

 

©Victoria and Albert Museum / V&A Images

THE SWING (L’ESCARPOLETTE)

Nicolas Lancret (1690–1743), Paris; about 1735

 

 

The fifth section Fashion and Personal Adornment reveals the care and attention aristocratic men and women took to dress in fashionable style from head to toe. Because these items were the most direct means of showing off one's social status and cultural aspirations, palace life was characterized by meticulous attention to small details in order to suit a range of formal occasions. 

 

©Victoria and Albert Museum / V&A Images

SACK-BACK GOWN

England; 1760-65

 

©Victoria and Albert Museum / V&A Images

BODICE ORNAMENT

Spain; about 1700

 

©Victoria and Albert Museum / V&A Images

TRAVELLING RAZOR SET

Possibly Dutch; probably 1700–30