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국립중앙박물관 NATIONAL MUSEUM OF KOREA

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국립중앙박물관 NATIONAL MUSEUM OF KOREA

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  • Calligraphy and Painting
  • Wood and Lacquer Crafts

Calligraphy and Painting

The Calligraphy and Painting section displays masterful examples of traditional Korean calligraphy and painting, Buddhist painting, and allowing visitors to appreciate the subtle yet striking blending of line and color that is inherent to Korean calligraphy and painting. The Wood and Lacquer Crafts Gallery displays crafts manifesting the true aesthetics of Korea.

  • Calligraphy and Painting1
  • Calligraphy and Painting2
  • Buddhist Painting
  • Wood and Lacquer Crafts
  • Wood and Lacquer Crafts
    Wood and Lacquer Crafts
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    • 나전 칠 연꽃 넝쿨무늬 옷상자 대표이미지
      Clothing Box with Lotus Scroll Design
    • 나전 칠 함 대표이미지
      Lacquered Box with Mother-of-Pearl
    • 나전 칠 문갑 대표이미지
      Lacquered chest with Mother-of-Pearl
    • 나전 대모 칠 국화 넝쿨무늬 불자 대표이미지
      Staff of Buddhist Duster with Chrysanthemum and Scroll Design
    • 화각 함 대표이미지
      Ox-horn Plated Hwagak Box
    • 이층농 대표이미지
      Clothing Chest with Two Tiers
    • 화각 화조・서수무늬 사층 장 대표이미지
      Chest with Four Tiers with Ox-horn Ornament in Auspicious Animals and Flowers Design
    • 호족반 대표이미지
      Dining Table
    • 경상 대표이미지
      Sutra Reading Desk
    • 삼층탁자 대표이미지
      Shelf with Three Tiers
    • 사랑방 모형 대표이미지
      The Wood and Lacquer Crafts room's Sarangbang
    More

    Introduction

      • From early in history, various wood and lacquer crafts have been produced in Korea, using different types of wood with beautiful grain. Records from Chinese historical texts, corroborated by modern-day excavations of sites from the Korean Bronze Age, confirm that wood and lacquer crafts were being produced and used in the Korean peninsula as early as 3,000 years ago.
      • Woodcraft of the Joseon period (1392-1910) is renowned for its austere yet sophisticated aesthetics, wherein minimal decoration is added in order to highlight the natural grain of the wood. As in the preceding Goryeo period, lacquerware inlaid with mother-of-pearl was widely produced in Joseon, with the number of users gradually increasing throughout the period. In addition, craftworks made with painted sheets of ox-horn were briskly produced in the late Joseon period. These wood and lacquer crafts manifest the true aesthetics of Korea, characterized not only by elegant beauty, but also by balance and harmony with nature.
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