For many generations, kings of Joseon Dynasty sought to improve their erudition and refinement by studying and practicing calligraphy. Thus, many kings kept great works of calligraphy close at hand, where they could be easily regarded and appreciated. Upon taking the throne, in order to honor the achievements of the previous king, new kings would often collect and compile calligraphy works made by their predecessor. Examples of various kings’ calligraphy were also carved into stone, so that they could be safely preserved for later generations to cherish and admire. Rubbings made from these stone carvings were compiled into Album of Kings’ Calligraphy(列聖御筆), which was then distributed to promote the calligraphy skills of the kings and the authority of the throne.
In addition to being an expert calligrapher himself, King Seonjo (宣祖, r.1567~1608) had a discerning eye for superb calligraphy, as demonstrated by his discovery and endorsement of Han Ho(韓濩, 1543-1605), the greatest calligrapher of his time. Thus, for centuries, kings played an integral role in shaping the culture of Korean calligraphy.